This study examines the tools of communication between fans and young pop singers, also known as idols, focusing on the “Cheki” — a type of photography taken by small polaroid camera. It has been proposed that the figure of idol culture is in the relationship between idols and fans, and it is not vertical but horizontal. “Cheki” notably symbolize this relationship. In this paper, I will clarify the meaning of this phenomenon in the context of the Japanese idol culture. 
I demonstrate that the concept and process of taking “Cheki” photography has not been described in previous studies. Although “Cheki” can be considered a similar to Handshake events, there are many differences between these activities. To observe the rules and behavior during the “Cheki” shootings, I have conducted web survey and interview with participants, including both fans and idols. As a result, it became clear that “Cheki” photography has strong connection with and within the idol culture. I argue that intimacy between fans and idols tha t appears during the photo shooting is a symbol of idol culture. Moreover, the materialness of “Cheki” also visualizes accumulation and such connection.

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