本研究では、明清代の通俗的な弋陽腔系について、北京および広東・台湾の事例から、土着化の過程および文化史的位置づけを解明した。北京については、『三皇宝剣』伝奇と他の台本資料を検討し、薛家将征西故事が弋陽腔系の京腔を通じて発展し、その影響下に小説が作られたことを明らかにした。また、明代文人の戯曲関連言説に見える「本色」という語を、テクスト分析手法を用いて検討し、その概念に関する比較的有効な説明を得た。
清・焦循『劇説』・『花部農譚』の校訂本・邦訳、弋陽腔伝奇四種の翻刻を、台湾から『元明清戯曲資料彙編　第一輯』として刊行した。漢字テキストの音韻情報を表示するシステムを開発し、プロトタイプを公開した。
This study has clarified the process of indigenization and the cultural-historical position of the Yiyangqiang in the Ming and Qing dynasties, based on examples from Beijing, Guangdong, and Taiwan. For the Beijing case, examining "Sanhuang baojian" and other script sources, we found that the story of Xue Jiajiang's conquest of the West was developed through the Jingqiang of the Yiyangqiang, and xiaoshuo was created under the influence. Moreover, the term "bense," which appears in the drama-related discourse of Ming dynasty literati, was examined using textual analysis to obtain a more valid explanation for it. Critical editions and Japanese translations of "Jushuo" and "Huabu nongtan" written by Jiao Xun in the Qing Dynasty, as well as transcriptions of four fictions of the Yiyangqiang, have been published in Taiwan as "Yuan Ming Qing Drama Materials, First Series". A prototype of a system for displaying phonological information from Chinese texts has been developed and released.

研究種目 : 基盤研究 (B) (一般)
研究期間 : 2017～2021
課題番号 : 17H02327
研究分野 : 中国文学