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0402-0301-0100.pdf
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Title |
Title |
近・現代数寄屋建築に関する考察 : 「数寄屋建築家」中村外二の作品分析を通して
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Kana |
キン・ゲンダイ スキヤ ケンチク ニ カンスル コウサツ : 「スキヤ ケンチクカ ナカムラ ソトジ ノ サクヒン ブンセキ オ トオシテ
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Kin gendai sukiya kenchiku ni kansuru kosatsu : "Sukiya kenchikuka" Nakamura Sotoji no sakuhin bunseki o toshite
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A study on the modern sukiya architecture : an analysis on the works by the "Sukiya Architect": Sotoji Nakamura
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澤田, 和華子
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サワダ, ワカコ
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Sawada, Wakako
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Affiliation |
慶應義塾大学大学院政策・メディア研究科後期博士課程
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Affiliation (Translated) |
Doctoral Program, Graduate School of Media and Governance, Keio University
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慶應義塾大学湘南藤沢学会
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ケイオウ ギジュク ダイガク ショウナン フジサワ ガッカイ
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Romanization |
Keio gijuku daigaku shonan fujisawa gakkai
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2004
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Keio SFC journal
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3
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1
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2004
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3
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10
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33
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Abstract |
十九世紀後半の「近代」の幕開けには、既に日本建築の生産・流通体系は高度に規格化し、独自の近代的なシステムを確立していた。その後日本の建築界は、西洋の概念に拠る「建築」の領域の他に、伝統的な建築産業に依拠したもう一つの建築領域が存在する二重構造となる。「日本的なるもの」を執拗に追求した歴史的経緯、また「家元的構造」の成立によって、「数寄屋」という特定の伝統建築分野が華開いた。裏千家の出入り大工であり、「数寄屋建築家」と称された中村外二(1906-1997)の作品からその芸術の一面を明らかにする。 When Japan opened its' country to the Western culture after the Meiji Restoration, the architecture industry was already highly systemized and qualified in terms of wooden construction and manufacturing of timber. In Japan, together with the main stream of the "architecture" industry in Western terms, there has always been another stream of architecture industry which survived through "modernization". The long search for their national identity, and the feudal structure of the tea culture, helped a specific field of traditional wooden architecture-Sukiya to regenerate in modern Japan. In this thesis, the art of modern Sukiya is studied through an analysis of works by a master carpenter of the Ura-Senke School of tea, Sotoji Nakamura, who is also known as the last "Sukiya architect" in Japan.
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