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PDF¥AN10030060-20101130-0049.pdf
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Authorship and the role of anonymity and pseudonymity in David Williams' "Lessons to a young prince"
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ディヴィッド・ウィリアムズの『ある若き王子への訓育』における原作者および匿名性と偽名性
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ディヴィッド・ウィリアムズ ノ 『アル ワカキ オウジ エノ クンイク』 ニ オケル ゲンサクシャ オヨビ トクメイセイ ト ギメイセイ
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Dividdo Wiriamuzu no "Aru wakaki oji eno kuniku" ni okeru gensakusha oyobi tokumeisei to gimeisei
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Robinson, Peter
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ロビンソン, ピーター
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慶應義塾大学日吉紀要刊行委員会
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ケイオウ ギジュク ダイガク ヒヨシ キヨウ カンコウ イインカイ
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Keio gijuku daigaku hiyoshi kiyo kanko iinkai
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2008
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慶應義塾大学日吉紀要. 英語英米文学
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57
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2010
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49
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81
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As the events of the French Revolution reached their peak, David Williams (1738–1816), former dissenting minister-turned-deist, educator, and political reformer, published the pamphlet Lessons to a Young Prince in which he alerted the Prince of Wales to the benefits of political misanthropy. Although a transparent attack on party politicking, the work laid out an alternative constitutional vision for England, well received in reforming circles. Nonetheless, the advent of the Revolution changed the way Lessons were read by contemporaries and led to the addition of a substantial extra lesson which esponded to Edmund Burke's rather lurid account of the excesses of the sans-culottes. However, unlike many of his other works and despite their wide readership, Lessons were never owned by Williams, appearing anonymously in their first edition, and subsequently in all other editions under the seudonym 'Old Statesman'. This article seeks to explain Williams' decision to remain uncoupled from his work and argues that its rhetorical function far exceeded its use as a means to avoid censorship.
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Departmental Bulletin Paper
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