The English poetry of the First World War can be divided into two periods. Rupert Brooke, Julian Grenfell and Charles Hamilton Sorley belong to the early period, beginning with the outbreak of the War in 1914 and extending to the Battle of the Somme in 1916. Wilfred Owen and Isaac Rosenberg are some of the poets who represent the later period from 1916 to 1918.  In this paper, I tried to consider the poetic works of Brooke and Grenfell, particularly in terms of the earth and death.  Brooke suggests that when a soldier dies on a foreign battlefield, he becomes a body of his native land, a part of English territory by returning to the earth, because even if it is foreign, it is the earth where lies dead his dust which has been produced by England. On the other hand, for Grenfell death brings a new life to the man who fights and dies, and through his deed he can take part in the increase and proliferation of the natural world. In other words, according to Brooke, the richness of the earth is given by England, while Grenfell tells us that the man must fight in order to win thenatural power of increase by himself.  Brooke and Grenfell are different from each other in their image of the earth and death. But both of them have an old and romantic view of the war on the basis of the earlier wars. The desperate efforts to bridge the gap between a romantic war and an actual one are to be left to the other war poets.