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KAKEN_26370327seika.pdf
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Title |
Title |
ハワイにおける初期演劇文化とアメリカ演劇史再考
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ハワイ ニ オケル ショキ エンゲキ ブンカ ト アメリカ エンゲキシ サイコウ
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Hawai ni okeru shoki engeki bunka to Amerika engekishi saikō
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American and Japanese theater culture at the turn-of-the-century Hawai'i and the reconsideration of American theater history
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常山, 菜穂子
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ツネヤマ, ナホコ
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Tsuneyama, Nahoko
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慶應義塾大学・法学部・教授
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Research team head
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科研費研究者番号 : 00327686
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2018
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科学研究費補助金研究成果報告書
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2017
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本研究は, アメリカを国あるいは大陸という枠組みではなく海に囲まれた「島」として捉える惑星思考的視点に立ち, 19世紀後半から20世紀初頭のハワイにおけるアメリカ演劇および日本人移民による演劇文化を再現・分析した上で, アメリカ大陸本土を中心とする従来の演劇史を再考することを目標とした。
成果として, (a)先行する日米の演劇研究・移民研究では軽視されたハワイ初期演劇文化の諸相を明るみにした。(b)従来の演劇史はマイノリティの活動をすくい上げた一方で二分法的歴史観が色濃く残るが, 本研究が明らかにしたハワイ初期アメリカ演劇文化はこの二分法から逸脱した存在であり, 演劇史再考を促す第3の視点を提案できた。
This study took a planetary perspective that perceived America as an "island" surrounded by ocean rather than understanding it in a framework of a country or a continent. Through reproduction and analysis of American theater and theater culture of Japanese immigrants in Hawai'i from the late 19th century to the early 20th century, this study aimed to reconsider the conventional theater history that is centered upon the mainland US.
The outcomes of this study were as follows. (a) Light was shone on various aspects of Hawai'i's early theater culture that had been skimmed over by prior Japanese and American theatrical and immigrant research. (b) While the conventional theater history includes the activities of minorities, a thick tainting of a dichotomous viewpoint has remained. However, the early American theater culture in Hawaii that this study illuminates exists outside such dichotomy, enabling the proposal of a third viewpoint urging reconsideration of theater history.
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研究種目 : 基盤研究(C)(一般)
研究期間 : 2014~2017
課題番号 : 26370327
研究分野 : アメリカ演劇文化
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