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AN00150430-00000149-0119.pdf
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:application/pdf |
Download
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:1.9 MB
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| Last updated |
:Aug 9, 2022 |
| Downloads |
: 604 |
Total downloads since Aug 9, 2022 : 604
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| Title |
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ヴェルサイユ宮殿鏡の間と庭園 : フランス・ギャラリー史における位置付け
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| Kana |
ヴェルサイユ キュウデン カガミ ノ マ ト テイエン : フランス・ギャラリーシ ニ オケル イチズケ
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| Romanization |
Verusaiyu kyūden kagami no ma to teien : Furansu gyararīshi ni okeru ichizuke
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Historical research on the Hall of Mirrors in the Palace of Versailles : a French-style gallery connected with the garden
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神谷, 友希
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| Kana |
カミヤ, ユキ
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| Romanization |
Kamiya, Yuki
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| Affiliation |
大阪大谷大学非常勤講師
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三田哲學會
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| Kana |
ミタ テツガクカイ
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| Romanization |
Mita tetsugakukai
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2022
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哲學
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Philosophy
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149
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2022
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3
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| Start page |
119
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144
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| Abstract |
The Hall of Mirrors in the Palace of Versailles (1678–82) is an emblematic gallery of the reign of Louis XIV, king of France (r. 1643–1715). There were traditionally several galleries in the French palaces to illustrate the power of the kings and the monarchs. Moreover, galleries of connoisseurs introduced from Italy became fashionable in grand townhouses in Paris at that time. Louis XIV wanted a French gallery in the Palace of Versailles, but no such gallery was built for ten years because the architect was assumed to have insisted on a terrace in the Italian style. Built to replace a large terrace facing the gardens, the Hall of Mirrors achieved a special feature: a link to the gardens. It is certain that the Hall is directly descended from the galleries in other palaces, but it resembles galleries in grand townhouses in this feature. Consequentially, the Hall of Mirrors brought to the Palace not only a French gallery but also a façade in French classical style.
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