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AN00150430-00000148-0297.pdf
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:Dec 13, 2021 |
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Title |
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蘭字枠風景画 : 英泉作品における洋風表現の在り方を考える
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Kana |
ランジワク フウケイガ : エイセン サクヒン ニ オケル ヨウフウ ヒョウゲン ノ アリカタ オ カンガエル
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Ranjiwaku fūkeiga : Eisen sakuhin ni okeru yōfū hyōgen no arikata o kangaeru
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Title |
Landscapes with alphabetic picture frames : Western-style techniques in the works of Keisai Eisen
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松田, 美沙子
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マツダ, ミサコ
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Matsuda, Misako
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山梨県立博物館学芸員
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三田哲學會
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ミタ テツガクカイ
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Mita tetsugakukai
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2021
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哲學
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Philosophy
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148
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2021
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10
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Start page |
297
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329
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Abstract |
Keisai Eisen (1791–1848) is an Ukiyo-e artist who lived during the late Edo period and is famous for his paintings and prints of beautiful women. However, Eisen also designed landscape prints, of which some include alphabetic picture frames. During my study of these prints, I discovered that Prussian blue was used to print these works and learned that Eisen was imitating prints by the artist Shōtei Hokuju (dates unknown). The Western-style techniques that Eisen adopted in these works can also be seen in his pictures of beautiful women from time to time, but there only some landscape prints where Eisen used them. Instead, he often designed landscape prints in a more traditional style and mainly focused on his images of human figures. In this paper, I argue that Eisen's adoption of Western-style techniques was generally limited to personal experiments and works that were specifically commissioned as Western-style landscapes.
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