| Item Type |
Article |
| ID |
|
| Preview |
| Image |
|
| Caption |
|
|
| Full text |
AN00150430-00000135-0111.pdf
| Type |
:application/pdf |
Download
|
| Size |
:581.6 KB
|
| Last updated |
:Apr 14, 2015 |
| Downloads |
: 4764 |
Total downloads since Apr 14, 2015 : 4764
|
|
| Release Date |
|
| Title |
| Title |
リチャード・セラのフィルム作品 : 「彫刻的フィルム」批判からみる作品制作態度
|
| Kana |
リチャード・セラ ノ フィルム サクヒン : 「チョウコクテキ フィルム」 ヒハン カラ ミル サクヒン セイサク タイド
|
| Romanization |
Richado Sera no firumu sakuhin : 'chokokuteki firumu' hihan kara miru sakuhin seisaku taido
|
|
| Other Title |
| Title |
Criticism of the notion "sculptural film" and his attitude towards creations
|
| Kana |
|
| Romanization |
|
|
| Creator |
| Name |
大前, 美由希
|
| Kana |
オオマエ, ミユキ
|
| Romanization |
Omae, Miyuki
|
| Affiliation |
慶應義塾大学大学院文学研究科美学美術史学専攻博士課程現代芸術論
|
| Affiliation (Translated) |
|
| Role |
|
| Link |
|
|
| Edition |
|
| Place |
|
| Publisher |
| Name |
三田哲學會
|
| Kana |
ミタ テツガクカイ
|
| Romanization |
Mita tetsugakukai
|
|
| Date |
| Issued (from:yyyy) |
2015
|
| Issued (to:yyyy) |
|
| Created (yyyy-mm-dd) |
|
| Updated (yyyy-mm-dd) |
|
| Captured (yyyy-mm-dd) |
|
|
| Physical description |
|
| Source Title |
| Name |
哲學
|
| Name (Translated) |
|
| Volume |
|
| Issue |
135
|
| Year |
2015
|
| Month |
3
|
| Start page |
111
|
| End page |
132
|
|
| ISSN |
|
| ISBN |
|
| DOI |
|
| URI |
|
| JaLCDOI |
|
| NII Article ID |
|
| Ichushi ID |
|
| Other ID |
|
| Doctoral dissertation |
| Dissertation Number |
|
| Date of granted |
|
| Degree name |
|
| Degree grantor |
|
|
| Abstract |
Richard Serra(1939–), one of the best-known postwar American sculptors produced films and video works. In "Process Sculpture and Film in the Work of Richard Serra"(1978), Benjamin Buchloh acclaimed Serra's early films as "sculptural film" with which the contemporary sculpture comes to a climax. However, Serra has been strongly and repeatedly rejecting this view because the illusion on a flat screen is totally different from the sculptural experience to which actual physical space matters. This paper examines the discrepancy caused by means of the word" sculptural" between the sculptor's attitude and the critic's interpretation. The potential of each medium is essential for Serra's work, rather than mere novelty of an idea.
|
|
| Table of contents |
|
| Keyword |
|
| NDC |
|
| Note |
|
| Language |
|
| Type of resource |
|
| Genre |
|
| Text version |
|
| Related DOI |
|
| Access conditions |
|
| Last modified date |
|
| Creation date |
|
| Registerd by |
|
| History |
|
| Index |
|
| Related to |
|
