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AN00150430-00000113-0093  
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Title
Title 阿部次郎と感情移入美学  
Kana アベ ジロウ ト カンジョウ イニュウ ビガク  
Romanization Abe Jiro to kanjo inyu bigaku  
Other Title
Title Jiro Abe and empathic aesthetics  
Kana  
Romanization  
Creator
Name 大石, 昌史  
Kana オオイシ, マサシ  
Romanization Oishi, Masashi  
Affiliation 慶應義塾大学文学部  
Affiliation (Translated)  
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Place
東京  
Publisher
Name 三田哲學會  
Kana ミタ テツガクカイ  
Romanization Mita tetsugakukai  
Date
Issued (from:yyyy) 2005  
Issued (to:yyyy)  
Created (yyyy-mm-dd)  
Updated (yyyy-mm-dd)  
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Physical description
 
Source Title
Name 哲學  
Name (Translated)  
Volume  
Issue 113  
Year 2005  
Month 3  
Start page 93  
End page 130  
ISSN
05632099  
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Abstract
ABE Jiro (1883-1959) is famous for his philosophical essay titled (Diary of Santaro) (1914-18), and he is regarded as a representative of (Culturalism) of the Taisyo era in Japan. As was often the case with young intelligentsia of that period, he was interested in both Western and Eastern cultures and at the same time sincerely sought the way of living as a Japanese. He swayed between diversity of cultures and identity of his own personality. Abe wrote an (Aesthetics) in 1917, which is a selected and abridged translation of the empathic aesthetics of Theodor Lipps (1851-1914). Lipps developed his philosophy on the basis of the psychological principle of 'empathy'. Abe reconstructed the essence of Lipps' aesthetics mainly from the following books by him: Asthetik, Die ethischen Grundfragen, Leitfaden der Psychologic. Abe highly respected the personality of Lipps; later he published a book titled (Personalism) (1922), which is based on the ethics of Lipps and applies it to contemporary political problems. Despite his extensive and profound knowledge of aesthetics, Abe could not complete his own book on aesthetics. For, I think, empathic aesthetics is not a relative theory which can be replaced by another, but a kind of world view based on Personalism which regards a mere object as an irreplaceable personality. He called his standpoint in aesthetics 'aesthetics from inward', which includes aesthetic experience, expression, interpretation and moreover cultural philosophy, but empathy still remains in the center of his hypothetical aesthetics.
 
Table of contents
1. 教養主義と人格主義
 a. 『三太郎の日記』
 b. 美学研究
 c. 『人格主義』
2. 感情移入美学
 a. リップス『美学』の祖述
 b. 美的感情移入
 c. 人格主義の美学
3. 内からの美学
 a. 美学の様々な立場
 b. 内からの美学の基礎づけ
 c. 文化哲学への広がり
結び
 
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投稿論文
 
Language
日本語  
Type of resource
text  
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Journal Article  
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Last modified date
Oct 05, 2010 09:00:00  
Creation date
Oct 05, 2010 09:00:00  
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Index
/ Public / Faculty of Letters / Philosophy / 113 (200503)
 
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