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KAKEN_18K18490seika.pdf
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Title |
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クロス・ディシプリナリー学としての「庭園芸術学」の構築
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クロス・ディシプリナリーガク トシテノ「テイエン ゲイジュツガク」ノ コウチク
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Kurosu dishipurinarīgaku toshiteno "teien geijutsugaku" no kōchiku
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Construction of "the science of garden art" as a cross-disciplinary study
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後藤, 文子
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ゴトウ, フミコ
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Gotō, Fumiko
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慶應義塾大学・文学部 (三田) ・教授
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Research team head
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科研費研究者番号 : 00280529
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Wimmer, Clemens Alexander
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ヴィンマー, クレメンス・アレクサンダー
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Schneider, Angelika
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シュナイダー, アンゲリカ
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Lauterbach, Iris
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ラウターバッハ, イリス
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Duthweiler, Swantje
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ドゥートゥヴァイラー, シュヴァンティエ
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Duempelmann, Sonja
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デュンペルマン, ソニア
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2021
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科学研究費補助金研究成果報告書
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2020
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20世紀初頭のドイツで「自然庭園」を主導した多年生植物栽培家・造園家カール・フェルスター(1874-1970)と、彼と親密な交流のあった建築家ペーター・ベーレンス(1868-1940)の活動を中核とし、庭園芸術研究の新たな領域たる「庭園芸術学 Gartenkunstwissenschaft」の基礎づけに成功した。具体的には、第一にフェルスターによるゲーテ荘園の庭修復(1948/49年)における植栽デザイン特性、第二にベーレンスの造園活動と庭園芸術理論が19世紀末の近代芸術学を基盤とする事実、第三に「自然庭園」を介して庭園芸術学が20世紀モダニズムに接続する事態、以上三つのアスペクトを解明した。
With the activities of Karl Foerster (1874-1970), a perennial plant cultivator and landscape architect who led the "nature garden" in Germany at the beginning of the 20th century, and Peter Behrens (1868-1940), an architect with whom he had a close relationship, as the core of my research, I succeeded in laying the foundation for the proposal of " the science of garden art" as a new field of garden art research through a cross-disciplinary research approach. For this purpose, the following procedures were used: clarification of the characteristics of planting design in the restoration of the garden of Goethe’s vineyard house in Weimar (1948/49) by Foerster, demonstration of the fact that the landscaping activity and the theory of garden art by Behrens were based on the modern science of art at the end of the 19th century, and elucidating the connection of "science of garden art" to 20th century modernism through a focus on the development of the "nature garden".
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研究種目 : 挑戦的研究 (萌芽)
研究期間 : 2018~2020
課題番号 : 18K18490
研究分野 : 西洋美術史 (ドイツ近代美術)
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