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KAKEN_25370135seika.pdf
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気象芸術学の試み : 二〇世紀初頭における庭師と天文学者と建築家
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キショウ ゲイジュツガク ノ ココロミ : ニジッセイキ ショトウ ニ オケル ニワシ ト テンモンガクシャ ト ケンチクカ
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Kisho geijutsugaku no kokoromi : nijisseiki shoto ni okeru niwashi to tenmongakusha to kenchikuka
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An attempt for the meteorological theory of art : gardener, meteorologist, and architect at the beginning of the 20th century.
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後藤, 文子
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ゴトウ, フミコ
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Goto, Fumiko
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慶應義塾大学・文学部・准教授
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Research team head
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科研費研究者番号 : 00280529
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2016
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科学研究費補助金研究成果報告書
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2015
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本研究の課題である「気象芸術学 Meteorologische Kunstwissenschaft」は, 芸術の制作論的諸相において変化する時間=生命性を本質とした近代芸術・建築を, 生成し変化する流体として捉える新たな美術史学・芸術学研究の方法論として構想された。植栽造園家を, 本来不動な建築と植物=有機体とを結合させる存在, つまり無機的存在を有機的生命体へと媒介する重要かつ特異な「媒介者」と位置づけることで, 近代植物学・園芸学と美術史学・芸術学研究の接合・統合を目指した。従来の美術史・建築史的様式論・意味論・機能論が看過してきたモダニズム建築に特有の問題点を明るみに出し, 実証的に解明した。
The important essence of modern art and architecture is the vitality which is changing in the various aspects of art poiesis. The main interest of this research planed as a new method for art history and theory of art considers such modern art and architecture as the fluid. A gardener can be considered as most important, unique mediator who binds solid architectures with plants as organic existence. By means of this consideration the unification between the modern botany and horticulture and the history of modern art and theory of art would be aimed. The various problems about modernist architectures which the traditional methods in the art history such as style-, iconological- and functional theory have overlooked were investigated with evidences.
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研究種目 : 基盤研究(C)(一般)
研究期間 : 2013~2015
課題番号 : 25370135
研究分野 : 西洋美術史
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