This article explores the elements of Japonisme in ‘The Jester’ — an illustrated satirical magazine closely intertwined with the art world — during the late 19th and early 20th centuries. This period coincided with the increasing popularity of illustrated art magazines in Russia and the evolution of graphic design. Many young Russian artists were profoundly influenced by the trends and styles spread through these periodicals. These circumstances accelerated the dissemination of fresh artistic ideas, fostering favorable conditions for artistic exchange and furthering the development of illustration printing techniques and graphic design.
The article focuses on examining the various illustrations related to Japan that were featured in ‘The Jester’. It also analyses their characteristics, with the goal of shedding light on the impact of Japanese art on Russian caricature and magazine illustration during this era. In doing so, it contributes to a more in-depth understanding of the intricate interplay between Russian and Japanese art and their influence on the cultural and artistic scene of the time.

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