アイテムタイプ |
Article |
ID |
|
プレビュー |
画像 |
|
キャプション |
|
|
本文 |
AN00150430-00000107-0004.pdf
Type |
:application/pdf |
Download
|
Size |
:965.7 KB
|
Last updated |
:Oct 5, 2010 |
Downloads |
: 2116 |
Total downloads since Oct 5, 2010 : 2116
|
|
本文公開日 |
|
タイトル |
タイトル |
表象としてのシャーマニズム : 沖縄の映画と文学にみるアイデンティティ・ポリティックス
|
カナ |
ヒョウショウ トシテ ノ シャーマニズム : オキナワ ノ エイガ ト ブンガク ニ ミル アイデンティティ・ポリティックス
|
ローマ字 |
Hyosho toshite no shamanizumu : Okinawa no eiga to bungaku ni miru aidentiti poritikkusu
|
|
別タイトル |
名前 |
Shamanism as a representation : identity politics in films and literature of Okinawa, Japan
|
カナ |
|
ローマ字 |
|
|
著者 |
名前 |
塩月, 亮子
|
カナ |
シオツキ, リョウコ
|
ローマ字 |
Shiotsuki, Ryoko
|
所属 |
日本橋学館大学
|
所属(翻訳) |
|
役割 |
|
外部リンク |
|
|
版 |
|
出版地 |
|
出版者 |
名前 |
三田哲學會
|
カナ |
ミタ テツガクカイ
|
ローマ字 |
Mita tetsugakukai
|
|
日付 |
出版年(from:yyyy) |
2002
|
出版年(to:yyyy) |
|
作成日(yyyy-mm-dd) |
|
更新日(yyyy-mm-dd) |
|
記録日(yyyy-mm-dd) |
|
|
形態 |
|
上位タイトル |
名前 |
哲學
|
翻訳 |
|
巻 |
|
号 |
107
|
年 |
2002
|
月 |
1
|
開始ページ |
1
|
終了ページ |
20
|
|
ISSN |
|
ISBN |
|
DOI |
|
URI |
|
JaLCDOI |
|
NII論文ID |
|
医中誌ID |
|
その他ID |
|
博士論文情報 |
学位授与番号 |
|
学位授与年月日 |
|
学位名 |
|
学位授与機関 |
|
|
抄録 |
The aim of this paper is clarify on shamanism as a cultural representation by analyzing recent films and literature of Okinawa. As a result, I found that Yuta -shamans in Okinawa- or shamanism become to be selected as an essence of Okinawa, and such tendency is found that Noro-priestesses in villages-were often drawn in 1980's, but from 1990's Yuta as a shaman began to be paid much attention as a representation of Okinawan culture. One of the reasons why this change has occurred is recently the power of Noro are little by little perishing because of the change of life living and perish of village communities. In many villages traditional festivals or rituals leaded by Noro has little importance for villagers now. On the other hand, Yuta who pray not for a community but consult for individuals like a counselor still has importance in Okinawan society. For the reason that the character of Yuta is translocal (not local-oriented like Noro), shamanism culture still remains in Okinawa. The another reason of the tendency that shaman is selected for showing ethnic identity has some relationship with the trait of shamanism which has a function of "anti-power/institution mechanism". From historical point of view, shamanism has been oppressed by rulers in any times for they say and behave freely and sometimes not keep rules that rulers made. So they often become opponent for rulers not intentionally. I also pointed out that the function of "anti-power/institution mechanism" has deep relationship with "revival of shamanism" or "revival of religion" all over the world including Okinawa.
|
|
目次 |
はじめに
1. 沖縄映画にみるユタへのまなざし
2. 沖縄文学にみるユタへのまなざし
3. 沖縄文学作家の世代間比較
(1) 大城立裕のユタ観
(2) 中堅・若手作家のユタ描写
4. 考察
おわりに
|
|
キーワード |
|
NDC |
|
注記 |
|
言語 |
|
資源タイプ |
|
ジャンル |
|
著者版フラグ |
|
関連DOI |
|
アクセス条件 |
|
最終更新日 |
|
作成日 |
|
所有者 |
|
更新履歴 |
|
インデックス |
|
関連アイテム |
|