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AN0006957X-00000064-0087.pdf
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Title |
Title |
ボリビアにおけるアフロ系住民の民族アイデンティティ構築 : 音文化"サヤ"をめぐる動態の一考察
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Kana |
ボリビア ニ オケル アフロケイ ジュウミン ノ ミンゾク アイデンティティ コウチク : オト ブンカ "サヤ" オ メグル ドウタイ ノ イチコウサツ
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Romanization |
Boribia ni okeru afurokei jumin no minzoku aidentiti kochiku : oto bunka "saya" o meguru dotai no ichikosatsu
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The Afro-Bolivians' identity construction: a study on dynamics of their sound-culture "Saya"
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梅崎, かほり
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ウメザキ, カオリ
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Umezaki, Kaori
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慶應義塾大学大学院社会学研究科社会学専攻博士課程
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慶應義塾大学大学院社会学研究科
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Kana |
ケイオウ ギジュク ダイガク ダイガクイン シャカイガク ケンキュウカ
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Keio gijuku daigaku daigakuin shakaigaku kenkyuka
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2007
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慶応義塾大学大学院社会学研究科紀要 : 社会学心理学教育学 : 人間と社会の探究
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Studies in sociology, psychology and education : inquiries into humans and societies
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64
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2007
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87
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106
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Abstract |
In the late 1980's, the Afro-Bolivian people, long-time marginalized ethnic minority in Bolivia, started a cultural movement purposed on revaluating their own culture and gaining social recognition of their ethnic identity. This paper focuses on "Saya" which played a signiflcant role in this movement and lead it to achieve success in a very short time span. "Saya" is a form of inherited folklore music among the Afro-Bolivian people who are the descendants of black slaves in thecolonial period. lt has been practiced by group of 10 to 30 persons, men and women, and originally seen in the area called Yungas, where they were forced to live in the colonial period and consequently settled down. As a background study of Saya movement, an anthropological research in two villages, Tocaña in the province of Northern Yungas and Chicaloma in Southern Yungas, was conducted. This paper illustrates acomparative analysis on the structure, performance and the costumes of Saya in these two areas based on the field work carried out since 2003. Examining various differences appeared in these two areas, it can be assumed that the urban Saya as a movement has reflected rural Saya strategically in its most impressive and commercial elements.
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Departmental Bulletin Paper
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